Manor Lane High is a school on the edge - underfunded and overwhelmed, the school’s staff are stretched thin. Just before the school day begins, Drew, the exhausted head of English, abruptly resigns for good. Left reeling, Amy, the deputy head of English, must step in and steady the ship. But she barely has time to gather her thoughts— Chris, the frantic deputy head, breaks the news: Ofsted inspectors are arriving in 15 minutes for a surprise inspection. Caught between burnout and bureaucracy, can this fractured school survive the day?

Working-class father John Crowley is finally on the fast track to corporate success when his two young children are diagnosed with Pompe disease—a condition that prevents the body from breaking down sugar. With the support of his wife, John ditches his career and teams with unconventional specialist, Dr. Robert Stonehill to found a bio-tech company and develop a cure in time to save the lives of his children. As Dr. Stonehill works tirelessly to prove the theories that made him the black sheep of the medical community, a powerful bond is forged between the two unlikely allies.

Guy Luthan, a British doctor working at a hospital in New York, starts making unwelcome enquiries when the body of a man who died in his emergency room disappears. After the trail leads Luthan to the door of an eminent surgeon at the hospital, Luthan soon finds himself in extreme danger people who want the hospital's secret to remain undiscovered.

Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum's mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum's mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband's objections to Hatoum's intimate observation of her mother's naked body are intercut with Hatoum's voice in English reading the letters. 　　Hatoum was born in Beirut to Palestinian parents and became an exile in Britain, during a short visit to London, when war broke out in Lebanon in 1975. She attended art schools in London (Byam Shaw School of Art 1975-9, Slade School of Art 1979-81), where her experience of cultural displacement, both as a woman and an Arab national, informed much of her practice. She made Measures of Distance in Vancouver during a year as artist-in-residence at Western Front Art Centre. It is a Western Front production. Hatoum has said: 　　Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war. In this work I was also trying to go against the fixed identity that is usually implied in the stereotype of Arab woman as passive, mother as non-sexual being … the work is constructed visually in such a way that every frame speaks of literal closeness and implied distance. 　　(Quoted in Mona Hatoum 1997, p.140). 　　In the video the decorative Arabic script of Hatoum's mother's letters floats over the images of her body like a veil or barbed wire, preventing total visual access to the image. It both conceals and reveals the woman inhabiting that body, explicating her as an active thinking and feeling being, an image which is emphasised by the frank conversation about her sexuality with her daughter. The Arabic and English parts of the sound-track have been given equal emphasis, 'creating a difficult and alienating situation for a Western audience who have to strain to follow the narrative' (Hatoum in Mona Hatoum 1997, p.140). The work evokes a strong sense of intimacy between a mother and daughter and suggests a creative and transformative relationship through the breaking of taboos around the maternal body. It is through the daughter's art-making project that the mother is able to present herself freely, in a form which cements a bond of identity independent of colonial and patriarchal concerns.

Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum's mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum's mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband's objections to Hatoum's intimate observation of her mother's naked body are intercut with Hatoum's voice in English reading the letters. 　　Hatoum was born in Beirut to Palestinian parents and became an exile in Britain, during a short visit to London, when war broke out in Lebanon in 1975. She attended art schools in London (Byam Shaw School of Art 1975-9, Slade School of Art 1979-81), where her experience of cultural displacement, both as a woman and an Arab national, informed much of her practice. She made Measures of Distance in Vancouver during a year as artist-in-residence at Western Front Art Centre. It is a Western Front production. Hatoum has said: 　　Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war. In this work I was also trying to go against the fixed identity that is usually implied in the stereotype of Arab woman as passive, mother as non-sexual being … the work is constructed visually in such a way that every frame speaks of literal closeness and implied distance. 　　(Quoted in Mona Hatoum 1997, p.140). 　　In the video the decorative Arabic script of Hatoum's mother's letters floats over the images of her body like a veil or barbed wire, preventing total visual access to the image. It both conceals and reveals the woman inhabiting that body, explicating her as an active thinking and feeling being, an image which is emphasised by the frank conversation about her sexuality with her daughter. The Arabic and English parts of the sound-track have been given equal emphasis, 'creating a difficult and alienating situation for a Western audience who have to strain to follow the narrative' (Hatoum in Mona Hatoum 1997, p.140). The work evokes a strong sense of intimacy between a mother and daughter and suggests a creative and transformative relationship through the breaking of taboos around the maternal body. It is through the daughter's art-making project that the mother is able to present herself freely, in a form which cements a bond of identity independent of colonial and patriarchal concerns.

A mockumentary in 8 episodes: new solutions and thinking models, which will be with us in the near future and make the world a little more livable. An "active health insurance", in which the insured directly take over everything including medical activities and thus save costs. A new currency that expires in a few weeks and therefore stimulates spending. Unemployed people who, as "loan siblings", are given a new job and a good life. The traffic therapy group that wants to make you understand the snake as a "unitary organism". A therapy office in the fresh air, which finally gives musty psychotherapy a healthy freedom. Color the world back into balance, at least in the parking lot. Or use humans as a self-sufficient source of energy. Or a tangibly equal democracy: All people attain the same eye level, an optimal 1.9m [via platform shoes].

A mockumentary in 8 episodes: new solutions and thinking models, which will be with us in the near future and make the world a little more livable. An "active health insurance", in which the insured directly take over everything including medical activities and thus save costs. A new currency that expires in a few weeks and therefore stimulates spending. Unemployed people who, as "loan siblings", are given a new job and a good life. The traffic therapy group that wants to make you understand the snake as a "unitary organism". A therapy office in the fresh air, which finally gives musty psychotherapy a healthy freedom. Color the world back into balance, at least in the parking lot. Or use humans as a self-sufficient source of energy. Or a tangibly equal democracy: All people attain the same eye level, an optimal 1.9m [via platform shoes].

A gay man with mild cerebral palsy decides to rewrite his identity as an accident victim and finally go after the life he wants.

In celebration of the 2014 Video Music Awards MTV tasked Entertainment tabloid TV host, Dave Skylark , and his dynamic production team lead by Aaron Rapoport, to sit down with some of this year's biggest VMA celebrities. In this half-hour special, Skylark literally gets up close-and-personal with VMA performers Nicki Minaj and Iggy Azalea, and VMA nominee Jason Derulo to ask the questions people REALLY want to know.

Set in a different Tokyo on a different world than ours, the story follows Tokunana, a unit of assembled misfits in the Metropolitan Police Department. Tokunana battles against "Nine" — an organization commiting crimes in their zealous worship of the dragons that once roamed the world.